So, I’m a comic book geek.
I probably read two graphic novels for every prose book. Part of this is professional; for a long time, I was the only librarian in my system who knew anything about comics, and who would buy them. The other part is personal – I just really like comics.
This is not surprising; a lot of librarians are comic book geeks. We’re a geeky tribe after all, and the 9th art nerds have to represent. But my journey into comics is a little bit different.
Or, as I tell my husband, blame Sandman.
I didn’t read comics as a kid. As a child of the 80’s, I’m not sure there were a lot of comics to read. Also, I was “gifted” and read high above my grade level. My mom, on the advice of innumerable teachers, kept me on a steady diet of Newbery winners and children’s classics. I didn’t really discover comics until I was an adult.
One of the first I picked up was Sandman by Neil Gaiman. I knew Gaiman’s name, kind of. As a fan of BBC science fiction, it was sort of familiar to me. Looking at comics as a field, his name came up a lot. I knew that Sandman was a horror/fantasy hybrid. I wasn’t expecting much, going into it. I was buying books for a library collection, and just had to get a feeling for it.
The first Sandman collection Prelude and Noctunes, gave me the kind of visceral response that I think people look for in a horror comic. I think I would have stopped reading there, if it hadn’t been for the last story in the volume. If the horror story “24 Hours” was a punch in the stomach, “The Sound of Her Wings” was a kiss on the forehead, one of the most beautiful and moving stories that I had ever read – in prose or comics.
I had to keep reading. An author who could do that, who could make me tear up over feeding pigeons, needed more attention.